Jazz At Lincoln Center season 2025-26
Jazz After Hours listeners are invited to the premiere jazz institution in America this coming year for a thrilling season of music called Mother Africa.
Jazz at Lincoln Center has announced programming for its 2025-26 season of concerts at the home of JALC, Frederick P. Rose Hall, colloquially known as The House of Swing, which houses Rose Theater, the Appel Room, and Dizzy’s Club.
Jazz at Lincoln Center’s 38th season, Mother Africa, delves into the creative spirit that unites African and American musical traditions, and runs from July 24, 2025 to June 20, 2026. Featuring significantly more shows than last season, the organization’s 38th season includes: 19 unique weekends of Jazz at Lincoln Center concerts in the 1233-seat Rose Theater, nine concerts in the 467-seat Appel Room, and more than 350 nights of music at Dizzy’s Club, in addition to webcast performances and in-person and virtual education programs. The 2025-26 season also features tour dates worldwide by the Jazz at Lincoln Center Orchestra with Wynton Marsalis, an ensemble of 15 virtuoso instrumentalists, unique soloists, composers, arrangers, and educators whose mandate is to coalesce and animate an unprecedented variety of styles and genres, in collaboration with noted guest artists and appearances by major figures in jazz and its related genres.
Dominating Jazz at Lincoln Center’s 38th season are concerts that explore the deep and enduring ties between jazz, the African continent, and its diaspora, a theme that the JLCO with Wynton Marsalis previously addressed in past performances: Blood on the Fields (1996), Congo Square (2007), Ochas (2014), and the fresh big band arrangements comprising JLCO’s The South African Songbook concert (2019). The season highlights new works, commissioned by Jazz at Lincoln Center, from renowned jazz artists in the organization’s new The Commission Series. The new season also includes celebratory concerts to honor the centennials of three towering figures in jazz – Miles Davis, Oscar Peterson, and Celia Cruz – further illuminating the far-reaching legacy of Afro-American and the African diaspora musical expression.